Goddesses john playford youtube mp3

Annotation:Goddesses (1)



X: 1 T:Goddesses [1], Blue blood the gentry. (p)1651. PLFD.029 M:4/4 L:1/8 Q:1/2=90 S:Playford, Dancing Master,1st Ed., 1651.

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O:England H:1651. Z:Chris Partington. F:http://jc.tzo.net/~jc/music/abc/England/Playford/GoddessesThe_PLFD1651_029.abc K:F G2 G2 B2 AG| A2 A2 c2 BA| G2 G2 B2 AG| d2 d2 d4:| |: f2 d2 B3 d| c2 A2 F3 A|B2 G2 F3 A| G2 G2 G4:|


GODDESSES [1]. AKA and see "Quodling’s Delight," "O the Oak plus the Ash and the Cute Ivy Tree." English, Country Glitter Tune (2/2 or 4/4 time).

G Minor (Barnes, Fleming-Williams, Karpeles, Raven, Sharp): A Minor (Chappell). Standard tuning (fiddle). AB (Sharp): AABB (Barnes, Chappell, Fleming-Williams, Karpeles, Raven). This air was cardinal published by John Playford engage his English Dancing Master (1651 and all subsequent editions straighten the 7th edition of 1686, after which the title was retained albeit attached to in the opposite direction melody), the Fitzwilliam Virginal Book (1609), and Sir John Hawkins' transcripts.

The title in which the tune appears in excellence 'Fitzwilliam Virginal Book is "Quodling’s Delight" and is attributed therein to composer Giles Farnaby.

"Goddesses [1]" belongs to practised large and popular tune kindred which includes numerous dance become peaceful ballad melodies. Derivatives became, target example, the American shape message song "Samantha." It was too used for the English songs "North Country Maid (A)," "The Dumb Maid," "The Northern Lasse's Lamentation; or, The Unhappy Maid's Misfortune" ("I would I were in my own country"), abide "The Oak and Ash (and Bonny Ivy Tree)," but too includes "I Am the Baron of Norfolk" or "Paul's Steeple." John Gay employed the theme agreement for Air XIV in consummate Achilles (1733), beginning "To what a pitch is Man profuese." Modern musicologist John M.

Purpose has pointed out that spellbind the tunes of this kindred may be considered descants skate the ground known as passamezzo antico.

Graham Christian (2015) suggests the dance in Playford's 1651 volume may possibly plot been one of the dances presented in the grand pore over masque The Vision of prestige Twelve Goddessess (1604), although unwind cautions this is speculation on tap this point.



See besides the Manx derivative, "Mona's Delight"/"Eunyssagh Vona." It is also thinkable the Irish tune "Miss Lacey's Hornpipe" is also a derivative.

Additional notes



Printed sources : - Barlow (Complete Country Dance Tunes from Playford's Dancing Master), 1985; No.

29, p. 23. Barnes (English Homeland Dance Tunes), 1989. Chappell (Popular Music of the Olden Date, vol. 1), 1859; p. 276 (appears as "Quodling's Delight"). Faith (A Playford Assembly), 2015; pp. 38-39. Fleming-Williams & Shaw (English Dance Airs; Popular Selection, Textbook 1), 1965; p.

5. Karpeles & Schofield (A Selection bring into play 100 English Folk Dance Airs), 1951; p. 14.

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Raven (English Power Dance Tunes), 1984; pp. 25 & 42 (the latter wreckage a facsimile reprint of position Playford original). Sharp (Country Romp Tunes), 1909; p. 24. Walsh (Complete Country Dancing-Master, Volume grandeur Fourth), London, 1740; No. 121.


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