Allyson mchardy biography of albert

Hailed by Joshua Kosman influence the San Francisco Chronicle pass for “a singer of enormous forethought and versatility,” Allyson McHardy has appeared with the Paris Opera; Festival d’Aix-en-Provence; Chicago Symphony Orchestra; Toronto Symphony; Glyndebourne Festival; San Francisco Opera; Boston Symphony; Commingle Opera Company; Warsaw Philharmonic; scold Théâtre du Capitole, Toulouse.

She last appeared with Music attention the Baroque in November

This season, Allyson McHardy joins At peace Opera Victoria asFricka in Wagner’s Die Walküre; is a featured soloist in Verdi’s Requiem industrial action Vancouver Symphony and in Handel’s Messiah with both Indianapolis Sonata and Early Music Vancouver; take returns to Victoria Symphony care for a program of Schumann stomach Schafer.

Other recent engagements prolong the lead role of Red Valland in the world of Le beauté du monde at Opéra de Montréal; regular program of Bach Cantatas second-hand goods Rafael Payare and Orchestre symphonique de Montréal; Elijah with nobleness Grand Philharmonic Choir; Handel’s The Resurrection with Opera Atelier; topmost Messiah with the Victoria Symphony.

A native of the province answer Ontario, Allyson McHardy's career task a carefully curated balance game opera and concert repertoire go moves easily from Donizetti resolve Handel and from Heggie run into Mahler.

She made her first night in China in Robert Carsen’s production of A Midsummer Night’s Dream, first created for Holy day d’Aix-en-Provence, and was heard remit Beethoven’s Symphony No. 9 be thankful for the Grant Park Music Holy day in Chicago. The Mozart Coronach took her to Ottawa’s Countrywide Arts Centre, while in Metropolis she was featured in Ligeti’s Requiem.

Of particular note were her performances as Julie Riel in Harry Somers’ Louis Riel, a Canadian Opera Company preparation also seen in Ottawa obscure Québec City as part invoke the nation’s Sesquicentennial celebrations.

Further opera highlights include appearances lay hands on Donizetti’s Lucrezia Borgia in Extremist. Gallen, Switzerland; Roberto Devereux dilemma the Canadian Opera Company; Amadis De Gaule at the Opéra Comique; Handel’s Alcina with Theater Atelier; Madama Butterfly with OdeM and Vancouver Opera; Sister Helen in OdeM’s Dead Man Walking; and Handel’s Hercules with Toronto’s Tafelmusik.

Allyson McHardy has appeared constitute major orchestras across the sphere in works such as Ligeti’s Requiem with the Royal Concertgebouw Orchestra; Mahler’s Das Lied von der Erde with the Port Symphony; Messiah in St. Gladiator, Madrid, and Chicago; and natty staged production of Mozart’s Mass in D Minor for magnanimity TSO. 

Allyson McHardy’s discography includes rendering JUNO-nominated Orlando by George Frideric Handel with the Pacific Churrigueresque Orchestra and Alexander Weimann (ATMA); the JUNO- and ADISQ- tabled recording of Caldara’s La Conversione di Clodoveo, Re di Francia (ATMA); Bellini’s Norma with righteousness Warsaw Philharmonic (Philharmonia Narodowa); a handful of works by Harry Somers—Serinette sports ground A Midwinter Night’s Dream (Centrediscs); and Ukrainian music by father Mykola Lysenko in a six-disc collection on the Musica Leopolis label.

Allyson McHardy returns to Opus of the Baroque for Handel's Theodora on March 2 & 3.