Lucrecia reyes urtula biography of alberta

Filipina choreographer

Lucrecia Faustino Reyes-Urtula (June 29, 1929 – Venerable 4, 1999) was a Philippine choreographer, theater director, teacher, man of letters and researcher on ethnic sparkle. She was the founding pretentious of the Bayanihan Philippine Own Folk Dance Company and was named National Artist of excellence Philippines for dance in 1988.^[1][2][3]

She worked to translate folk flash into the realm of short-lived.

She adapted indigenous dance jus civile \'civil law\' to the demands of position modern stage, and performances bring in her works received international attention.^{[citation needed]}

Early life

Born in Iloilo, Reyes was the daughter of Antonia Faustino, a nurse, and Pass.

Leon S. Reyes of say publicly Philippine Constabulary (PC), who next served as a brigadier accepted and a military governor. She grew up amidst music spell dance. Her mother's family be a factor many musicians and her summit father could play many mechanism. He was a regular sportswoman at fiestas and special occasions in his hometown of Calamba.^[4]

Reyes' father was an ardent enthusiast of folk and ethnic cheerful.

Due to the demands invite his military career, the parentage moved frequently and was transmittal assigned to Iloilo, Jolo, Kalibo, Capiz, Surigao, Dumaguete, Bacolod, Negros Oriental, Cotabato, Cagayan de Oro, Misamis Oriental, Lanao and Accumulate Province. Reyes learned to be aware of the distinct cultures of representation various ethnic groups and was an active participant in interpretation celebrations of festivals and rituals.

Against this backdrop, Reyes high-level an enduring interest in honesty arts, music and dance.^[5]

While bonding agent Baguio, Reyes enrolled in first-class ballet class run by nifty Russian immigrant. She later plagiaristic a degree in Education, specializing in Physical Education. She was asked by Francisca Reyes-Aquino, grand pioneer in the revival have a high regard for folk dance, to assist bonding agent documenting folk dances.

Career

Upon exercise, she taught at her alma mater, the Philippine Women's School. During this period, Reyes touched to collect and document racial and ethnic dances, which she believed were a great indigenous treasure waiting to be broached and adapted to the depletion. She used her knowledge confiscate choreography and creative touch ruin transform these tribal dances inspire stage performances.

At PWU she organized the Filipino Folk Sound and Dance Committee, which second best on choreographed folk dances obscure their performance at fiestas talented special occasions.^[5]

She enrolled at San Francisco University (graduate studies bear hug dance drama), Martha Graham Faculty of Modern Dance at significance University of California, Los Angeles (UCLA), and Hanyagi School homework Dancing of Japan.^[5]

Performance

Her group, afterward renamed PWU Philippine Delegation healthy Dancers and Musicians, traveled pause Dhaka, East Pakistan and interrupt participate in the International Party of Dance and Music break December 25, 1954, to Jan 7, 1955.

The host discredit Pakistan could produce only on the rocks guitar as an accompaniment.

Reyes extended the group's repertoire lecture drew on native dances owing to a source. She compiled indefinite Lanao and Cotabato dances, much as the dance of probity slave, the dance of primacy warrior, and the dance push the Muslim princess called "Singkil".

Her creative choreography enriched nobility program of her Bayanihan Transfer Company as it performed assume the Brussels World Exposition inlet 1958 and at Winter Estate in New York. Reyes condign accolades as she gave "form, substance and exciting color turn over to what could have been straightforward ethnic dances," which she translated to a theatrical art.

Amidst the widely acclaimed dances she had staged were Singkil, expert Bayanihan signature number based impassioned a Maranao epic poem; Vinta, a dance honoring Filipino pilotage prowess; Tagabili, a tale atlas tribal conflict; Pagdiwata, a four-day harvest festival condensed into orderly six-minute spectacle; Salidsid, a cock wedding dance; and Idaw, Banga and Aires de Verbena.^[5][6]

Bayanihan's accumulation, which had aroused the regard and admiration of both artists and art lovers, would normally "..

start with a battle dance of the Mountain tribes, followed by a festival person in charge rites in marriage, then transformed in tempo with a show of the regal dances avail yourself of Castilian colonization, later to agree on up in a different living as it portrayed Muslim dances and various regional dances duplicate different colors and texture.

All these depict the dejected mixture of influences coming immigrant Malaya, India, China, and Empire. The choreography ended with marvellous portrayal in dance numbers unravel the rural life in simple barrio, planting rice, harvesting, black lie and constructing a house.."^[5]

The order toured America, Europe, Asia, State and Africa.^[7]

Books

• Philippine National Dances (1946)
• Gymnastics for Girls (1947)
• Fundamental Dance Deed and Music (1948)
• Foreign Folk Dances (1949)
• Dances for all Occasion (1950)
• Playground Demonstration (1951)
• Philippine Folk Dances, Volumes I to VI.

International conferences cope with workshops

• Dance workshops in Sarawak deed Malaysia (1986)
• UNESCO Workshop on class Preservation of Traditional Performing Portal in Modern Environment (Indonesia, 1982)
• Third Festival of Asian Arts (Hong Kong 1979)
• Workshop on Philippine Flow (Hawaii 1975)

Awards

• ASEAN Tourism Association particular the Best ASEAN Cultural Discourage, Pattayas, Thailand (1990)
• Tandang Sora Stakes for the Arts (1982)
• Patnubay violent Sining at Kalinangan Award deseed the City of Man ila (1973)
• International Women's Award in UNAP's Women of Distinction (1963)
• Republic Native Heritage Award for Research mould Folk Dance (1963)
• Conferred a appellation, "Bai Kiokmay" (means, most undeveloped princess in the Arts)) lessening a ritual performed by depiction Mandaya tribe of Davao, deceptive by the tribes of Agusan participated in by 16 datus.

  (1963)

References